
Born to Be Conned
Alexis Beauclairâs simple but striking illustration of a person entering a maze captures the essence of The Times Opinion article, âBorn to Be Conned,â published December 5, 2015.
In the article, author Maria Konnikova writes about people being swept up in confidence games by grifters. âWe embrace something we think is as true as it gets. We donât set out to be conned. We set out to become, in some way, better than we were before. That is the true power of belief. It gives us hope. If we are skeptical, miserly with our trust, unwilling to accept the possibilities of the world, we despair. To live a good life we must, almost by definition, be open to belief. And that is why the confidence game is both the oldest there is and the last one that will still be standing when all other professions have faded away.â
Alexis Beauclair is a French drawing artist. His work includes drawings, comics and commissioned illustrations for such publications as The New York Times, New Yorker and Bloomberg Businessweek. He self-publishes his drawing zines and mini comics in his print studio, Riso Papier Machine, co-founded with Bettina Henni in 2012. He has also produced comics, childrenâs books and illustrated books with publishers. His âVanishing Perspectiveâ collection of comics was published in America by 2dcloud in 2018. His work on comics is focused on minimalism, questioning reading and the comicsâ medium, while trying to refine and reveal the pure mechanics of the comic form. He is also co-editor of the international comics anthology âLagon,â founded in 2014.
Alexis Beauclairâs simple but striking illustration of a person entering a maze captures the essence of The Times Opinion article, âBorn to Be Conned,â published December 5, 2015.
In the article, author Maria Konnikova writes about people being swept up in confidence games by grifters. âWe embrace something we think is as true as it gets. We donât set out to be conned. We set out to become, in some way, better than we were before. That is the true power of belief. It gives us hope. If we are skeptical, miserly with our trust, unwilling to accept the possibilities of the world, we despair. To live a good life we must, almost by definition, be open to belief. And that is why the confidence game is both the oldest there is and the last one that will still be standing when all other professions have faded away.â
Alexis Beauclair is a French drawing artist. His work includes drawings, comics and commissioned illustrations for such publications as The New York Times, New Yorker and Bloomberg Businessweek. He self-publishes his drawing zines and mini comics in his print studio, Riso Papier Machine, co-founded with Bettina Henni in 2012. He has also produced comics, childrenâs books and illustrated books with publishers. His âVanishing Perspectiveâ collection of comics was published in America by 2dcloud in 2018. His work on comics is focused on minimalism, questioning reading and the comicsâ medium, while trying to refine and reveal the pure mechanics of the comic form. He is also co-editor of the international comics anthology âLagon,â founded in 2014.
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Alexis Beauclairâs simple but striking illustration of a person entering a maze captures the essence of The Times Opinion article, âBorn to Be Conned,â published December 5, 2015.
In the article, author Maria Konnikova writes about people being swept up in confidence games by grifters. âWe embrace something we think is as true as it gets. We donât set out to be conned. We set out to become, in some way, better than we were before. That is the true power of belief. It gives us hope. If we are skeptical, miserly with our trust, unwilling to accept the possibilities of the world, we despair. To live a good life we must, almost by definition, be open to belief. And that is why the confidence game is both the oldest there is and the last one that will still be standing when all other professions have faded away.â
Alexis Beauclair is a French drawing artist. His work includes drawings, comics and commissioned illustrations for such publications as The New York Times, New Yorker and Bloomberg Businessweek. He self-publishes his drawing zines and mini comics in his print studio, Riso Papier Machine, co-founded with Bettina Henni in 2012. He has also produced comics, childrenâs books and illustrated books with publishers. His âVanishing Perspectiveâ collection of comics was published in America by 2dcloud in 2018. His work on comics is focused on minimalism, questioning reading and the comicsâ medium, while trying to refine and reveal the pure mechanics of the comic form. He is also co-editor of the international comics anthology âLagon,â founded in 2014.























